The brush shape can also be changed as well as the jitter, scatter, opacity, and more. The grain setting adds the paper texture for the brush. In addition to setting the paper texture for the painting, you can create a new brush and set the paper texture for each brush. When you click the Show Wet button the program highlights all the wet parts of your painting in blue. A small amount of water gives a more dry brush effect. Lots of water makes the paint spread, diffuse, and drip on the canvas. When you use watercolor, acrylic, and ink you can control the amount of water in the brush. What sets Rebelle apart from other digital programs is the water simulations. You can move the stencil, rotate it, and flip it. There are a few presets, but you can make your own stencils by importing photos into the stencils panel. There are layer blending modes, a tracing mode, and a function like watercolor masking fluid. In the layers panel you have controls to see the wet parts of a layer, you can start and stop the water flow, make the whole canvas wet, make the layer dry, and remove the water. There is also a navigator panel where you can see your whole canvas and a layers panel. There are two types of color picker palettes and you can also create and save color sets. There are 8 presets in the watercolor category, 4 in the acrylics, 3 in pastels, 6 in pencils (this includes a charcoal pencil), 4 pen presets, 2 markers, 4 airbrush presets, and seven eraser presets (including an eraser that makes a salt like texture). One of the new features in Rebelle 3 is changing the depth on the acrylic impasto brush. In the photo above there are some examples of strokes from each brush category. There are several presets in each brush category and you can change the settings on these to create and save new brushes. The brush modes are: permanent, normal, dirty, clean brush, and eraser brush. You can also control the brush size, pressure, paint load, and amount of water. There are eight main brush categories: watercolor, acrylic, pastel, pencil, ink pen, marker, airbrush, and eraser. You can also customize your mouse or tablet pen and set up keyboard shortcuts. You can open and close panels, dock or leave them floating, and arrange them anyway you want. The UI of Rebelle 3 has a main menu, brushes, special functions, brush controls, brush heads, layers, color pickers, preview, image reference, stencils, and ruler tools. Textures and stencils have also been added in the newest versions. The current version is Rebelle 3 and they have updated their watercolor simulations to be even more realistic.
Corel painter 2016 blender windows#
This is a Windows painting app and it simulates real watercolor, ink, and acrylic paint. In Painter, I highly recommend the Acrylic brushes – aside from a 'strandy' feel, they will automatically create a very interesting texture.One of the best watercolor simulating programs to be found is Rebelle by Escape Motions. Start applying the hair strands, gradually moving from bigger and darker to smaller and lighter. This simple Spackled brush is perfect for this job. To enrich the 'automatic' pore effect, create another layer on top of the existing one and, with an Airbrush, randomly place some small lighter dots on top of the previous ones.Īfter marking the hair basis with an Airbrush, it's good to start adding some texture. Use it on a low opacity setting on a separate layer, so you can play with layer modes later (Soft Light usually gives the most natural effects).
Corel painter 2016 blender skin#
The small spackled brush is great to render skin pores with.